This body of work materialized through an organic and temporal process. Rubber, which had naturally oxidized within our studio over the course of four years, became the field of this exploration.
The form of the Gleba Urn reflects the necrogenic essence inherent in the material, and their shapes recall both the finality and the continuity that the material suggests. Through this work I aim to immortalize the quiet persistence, the spinal thrum of decay and rebirth.